Sandy Signs

 Bumper Stickers

Here you see one of the bumper stickers we produced 
back in the days when we were publishing 

"Sandy Signs"

I came across this in my files and decided to make them available.

They are available as an adhesive sticker or as a magnet.  

Price is contingent upon quantity. 

If anyone wants some of these contact me at;

Arthur Greisiger

Image of the Mind Studios

1325 Industrial Boulevard

Building Three

Southampton, PA 18966

image.of.the.mind.studios@gmail.com

Below is a  flyer for another Bumper Sticker we were producing.

It will be updated as necessary. This flyer may be out of date.

The pricing shown here was for the magnets. 

Hence, the above saying may be the same price as shown here.

The United Nations wanted to buy these with their logo instead of the peace sign,

but at the time I said no. I may pursue that now.

You may print this order form out and use that to order either sticker.

Do not send any money until I confirm the price with you.

Please attach a cover letter or purchase order outlining which sticker 

and the quantity you may like. I will get back to you with a price.

The pricing in the flyer below is for the magnetic version of the bumper sticker.

These were old prices and it probably cost more to make now.

But I will reprice them for a minimum of 500 units.

I may publish them if I receive enough inquiries

and post updates here.

AG

Telephone communications

A 1908 Buick Speedster
Just for fun. I'd love to have one of these.
I'll trade my 1931 Model A Roadster for one.

     I have been deluged by solicitations. Therefore, I do not answer any calls that do not have a familiar called ID. If you are wanting to contact me via my cell phone, you will need to text me first. Be specific; identify yourself and the reason for contacting me. If it is legitimate business, I will get back to you. I do not answer cold solicitations. If I answer and do not get a response, the number will be blocked. If I use call screening and there is no response or a hang-up, the number will be blocked. 

     My email is likewise deluged. If it is legitimate business, I will respond. If the communique is a solicitation, I may look at it or not.

   I'm sorry it has come to this.

AG

Animatronics

    I'm expecting to engage more actively in constructing the Animatronic Puppetry for The Gnomes of New Hope.

 There are two primary projects in this regard. The first is the Parade Float. We will create an animatronic scene on the Parade Float to use in promoting the Stage Musical. The second is to begin creating a Walk-thru Cyclorama depicting assorted scenes from the show.

   We have been working on learning Poser for CGI and are now discussing both 3D printing and programming cues for the actions of an animatronic chassis. We are still far off from a workable prototype, but we are on the path. 

  Some other things are happening in this regard, particularly the establishment of IMS Technologies as a vehicle for developing the animatronics and other related mechanical activities, including robotic technology and general manufacturing for assorted product lines.

  Truth be told, I will be looking to establish a Board of Directors to supervise operations with IMS Technologies, IMS Publishing, and IMS Management, each of which requires it's own staff. I am seeking individuals who would like consider buying into the operation as a hands on participant. Funding is a separate issue. There are numerous avenues in this regard, of which I can convey to interested parties.

Communicating Business

  

   I have established a new and more secure email address to use for discussing more classified business. In order to access this email, I require a hard copy letter on company letterhead submitted to my studio address. That address is readily available in a number of ways, here and elsewhere.

   Regarding telephone communications; I maintain both a cell phone and a hard line at IMS. For the most part, I let voicemail be my answering service. I do this because my time is extremely occupied with other hands-on business and unless a number is programmed into my phones, I avoid answering the call. This is because of excessive solicitations that essentially steals my attention and time away from my work. I do not employ a receptionist at this time.

   I will be addressing budget and management issues in more details on another blog set up for that purpose. If you want to be involved in that regard, let me know, as I said, preferably via hard copy.

AG

Time Marches On

 

   

   I'm in the frame of mind that tells me; I don't have much time left to achieve the things I have worked so hard for, for so long. My Studio space is coming together, as I am coming apart. I'm not really falling apart, not much anyway. But as it goes "Time waits for no one".

   I will continue to work at building the studio and implementing the projects I have, many of which are waiting in the wings. But the one very real fact is that; I will need to sell Image of the Mind Studios. 

   I have a very plausible Business Plan that establishes an excellent Management Structure that works well to delineate the layers of management to accommodate the full range of addressing the Industry, basically Departmentalization. 

   I think I will transfer that Business Plan over to a blog, where I will be able to present it's outline electronically to potential business partners and make it possible to share it on a worldwide basis. I tend to think this is Classified Information, by since I'm running out of time on my end, I guess that doesn't matter. I may secure it from being available to anyone and require a direct inquiry in order to access it. But it will be a revelatory document designed to promote establishing a scenario whereby IMS will endure without requiring me to be the primary force behind it's sustainability.

Recording Studio, Print Shop. Machine Shop

Recording Studio

    As you may have read, I am working toward installing a Sound Stage in my studio. Now, as I am taking title to the property, which consists of four buildings, I am planning on some changes to Building Two. It will take time, but I'm beginning to plan out the installation of a recording studio. One that will be large enough for an orchestra. It probably will need to be flexible, with adjustable partitions or maybe a few separate rooms. I'll post my floor plans when that moves forward. 

Print Shop

   The Gnomes of New Hope: Zach & Zebby's Illustrated Storybook requires publishing. It's a Seven Book Collection. If we sell even 10k of each book, that 70k books. My objective is to maintain on-demand capabilities and to avoid a large inventory of books. If demand calls for higher quantities, management of that demand will be jobbed out to a larger organization. My only criteria is that the content and design remains unaltered, including the hand-stitched cover. 

Machine shop

    I can design and manufacture a stitching machine if necessary, since I am also working on setting up a machine shop for the animatronics. That shop already exists, it was founded by my grandfather, it will only need reduction from a production shop and modification for my purposes as a prototype shop. Plus, I have my own puppet and automotive shop underway and functioning.

That's it for now.  AG

Bryn Athyn Orchestra

Here is the final version of the flyer for 

the Summer Concert

and an order form for purchasing advance tickets by mail

go to the web site shown on the flyer above 

for online purchases

Here is our Playbill for this concert

You are welcome to print this Playbill 

if you'd like to have one before the performance 

or to assure that you get one

AG

The Ineffable Journey, an essay

UPDATE;

   While this post was originally published in 1977, I am setting it to "Automatic" because I am moving to rewrite the piece; "I Am Alpha & Omega". Although, my other projects are not yet finished, I need to update this one so that it will be ready to go into production, at least the Libretto needs to be finalized. As much as I thought is was finished, I now know that the material I have is only the groundwork for a more refined expression.

   We are discussing the music for this piece and I know that the libretto text needs to be finalized. As I mentioned elsewhere, the third Act of "I Am Alpha & Omega" became "Nunc Licet" a drama about    Emmanuel Swedenborg. That means that "Alpha & Omega" requires a new Third Act. Well, as it turns out, that will be an Opera based on the Apocalypse (as interpreted by Swedenborg). The Lyrics for that have been written, but I am uncertain what the music will be or how it will be expressed (or even changed for that matter).

   So expect to see a new blog on the subject. I may just write the Libretto directly on the blog and make it private. That way, when I die, it will be accessible just by removing the private setting. That's an interesting thought for numerous literary projects. If course, I could just post the script, like I did for "Nunc Licet" and I probably will do that, so if I drop dead, somebody else can take the ball and run with it.

   I though I'd repost this essay since I've had a few conversations recently about this subject. I haven't read it again, so I hope it reads alright. Apparently the posting date on this was 1977, but I think that was really a date I put on it because that's when this all took place.

   It is indeed ineffable, yet I will endeavor to convey the journey that has led me to my involvement with The Church of The New Jerusalem. There have been many times over the years that I have attempted to record this journey, without success. It is my most fervent hope that I may be able to succeed at doing so this time around.

The Ineffable Journey

   In 1974, I made a journey to California. I was escaping from a life that seemed to be predetermined for me. I was escaping from an impending marriage which I was not sure about, being twenty years of age... a family business in which the prospect of being drawn into, without any free will on my part, was overwhelming... and my failure in following through with entrance into seminary for various reasons (which reminded me of my inability to commit to confirmation with the Lutheran church). My intention was to walk the Appalachian Trail to get away from it all, but alas, I missed the date, which according to my calculations was the departure time to succeed in doing the whole trail in one season. The next best thing was a trip to California. It was the farthest point away from where I was without going out of the country. So off I went with my MGB and a footlocker full of my most essential items- a couple of hundred 8-track tapes. Don't ask me why, I still can't figure it out. Now I find Rock & Roll... unappealing.

   Jump ahead to Wells, Nevada. I needed water for my radiator but the only source of water I could find was on the outside of town and the proprietor of the service station was rather unfriendly, to say the least. Well, so be it. I'll get water at the next stop. Yeh, right. Blown head gasket, tow back to Wells, order repair kit from Salt Lake City, stay in motel for a week, get solicited by party girls, order a steak sandwich and got... a hunk of steak on a piece of Italian bread. For those of you who know what a Philly Steak Sandwich is, you can see the humor in this. Fortunately, I brought my tools, so I ripped down the engine and fixed the head gasket myself when the parts came in. I was soon back on the road.

   After some stops in Colorado, San Fransisco... Haight-Ashbury. Crashed with some friends of a friend. The one saving grace there was Danita Kulp, a woman for whom I am eternally grateful. The woman who typed the first screenplay I wrote when I got there. My actual first screenplay was when I was quite a bit younger. It was a story I wrote for The Twilight Zone. Too bad I never submitted it. It was really pretty good. Maybe I'll rewrite it someday (and probably wreck it). So Danita typed the first version of "I am Alpha & Omega". It was a science fiction story (a screenplay) about the second coming of Christ. It wasn't bad. The dialogue is rather adolescent, but the story is very sound and the character development is pretty good for a first try. Well, I had to get out of San Fransisco, too much depraved moral behavior (to put it kindly). While there, and a primary reason for going there, I checked out The Film School in Half Moon Bay. By the way, before I left- I was studying film at BC3 and won a few awards while there. So I was figuring on continuing in the film industry. Well, the clutch in my MGB was shot, so I sold the car and bought a motorcycle. I roamed up and down the coast a few times ending up in LA.

   Los Angeles... more friends of friends, more depravity, fortunately I got to know Chaka Kahn who let me stay with her; another saving grace. She passed my script onto a friend who knew Gene Roddenberry, who as it seems, liked my script. Enter my own fears and self-deprecation. I took the script and left LA. I felt it wasn't good enough. I had to make it better for the man who created "Star Trek". I was too afraid of success, having been brain-washed into thinking that my dreams were a waste of time. So, being utterly fed up with the perversion that surrounded me in Hollywood and very confused about the very existence of God in such an environment, I got on my bike and headed out into the desert.

   Somewhere in the desert. Nothing in any direction. Pushing a motorcycle. No fuel. Chewing on a cigar and bitching that there was no God! But wait a minute. If there is no God, then who am I talking to? OK, there is a God. But I know nothing, so you have to show me what you want of me and where to go. Boom. An RV pulls over, the owner gives me gas and five bucks. I can't say how amazed and appreciative I was. So I head back to LA, wrap up business, and head out to return to the East Coast. It was November. Route #10 was the southern route, so I figured it would be warm enough on a bike. Wrong! I found myself wrapped up with newspapers and plastic under my leather to keep warm. It didn't exactly work. I pulled into a restaurant, almost completely broke and ordered a cup of coffee. The waitress brought me a bowl of chili and some bread. She obviously could see I was freezing to death. I was stunned by her kindness, but even more stunned when the guy in the next booth turned and invited me to stay the night at his house. He said his wife would make us some dinner. I might have been stupid enough to make that trip without sufficient supplies, but I was no fool. I said "yessireebob". Lloyd and Dorthy Lopez. I'll never forget them. She made a great chicken dinner with fresh home made tortilla chips. I left the next morning with the twenty bucks Lloyd gave me. Other adventures ensued, but I won't go into them.

   Back in Pennsylvania. I had a book, which I bought at a bookstore in Berkeley. "Journeys Out of the Body". Well I had entered into another sort of journey- to search the world religions and to come to understand them and compare them. I did ask Him to show me where to go and what to do. So He led me on a journey of the understanding. I was trying to understand Spinoza and I had an extensive library of religious & occult books. I was particularly fond of Taoism and the teachings of Lao-tse.

   I came to conclude that I wanted to find out if this Astral Projection was, in fact, real. But I set a few foundational terms to my journey. Firstly, no drugs. I knew some people who were talking to me about their experiences using LSD, Peyote, and Hashish. But I knew that anything that was spoken about (in these books I was reading) could not be considered legitimate if the experiences were induced by the use of drugs. Second, but more importantly, I had determined that I was committed to being a Christian and if these experiences were real, they were real whether I was a Christian or not, so I was not about to reject that belief in exchange for any knowledge I might gain and... if that were a requirement, then, as far as I was concerned, it was not legitimate. I had gotten deeply into yoga and eastern philosophy, to the point where I was meditating four hours a day for over two and a half years. Ultimately, I opened the Kundalini, which I don't recommend to anyone without a Master nor anyone who is not prepared. For me it resulted in experiencing the creation at the molecular level and offered me a view of this planet from space. I liken it to the Moody Blues line "you gotta go out and in", or something to that effect. I had many Astral Projection experiences and the expansion of my consciousness extended to the degree that I could feel people living on the other side of the planet. It's difficult to explain this, so I won't really try. But I can say I spent virtually my entire twenties deeply involved in this search for eternity.

   I learned that we are so much more than we think we are. Our normal, day-to-day living in this society has dulled our senses, to the degree that we manifest only a small fraction of our potential as the creative spiritual beings we were meant to be. We are assaulted from all sides with unimportant, mundane, degrading behaviors that are based on greed, sensuality and the entropy that infects the material realm. Our society has become so overwhelmed by it that we have lost the capacity to understand our true nature and we interact with each other on a largely false premise of who we are and what we are meant to be. Well, enough of that.

   Then one day, I was driving a truck, making deliveries, when I found that the expansion experience started to occur while I was sitting at an intersection. Now, this experience is quite overwhelming and wonderful, but... it is not an experience that bodes well with driving a vehicle. I though to myself, what if this happens while I'm driving and I loose control of the vehicle and kill somebody. That was unacceptable to me. Although I was on a most wonderful journey toward enlightenment, I was enlightened enough to know that selfishly moving forward at the potential expense of others was inappropriate. I came to conclude that: if this journey I had undertaken, was in fact a true journey toward eternity, then it could wait a few years, until the circumstances were better set for me to proceed.

   I made the conscious and concerted effort to disengage myself from this most amazing, desirable and wonderful journey. So for the next few years I fell back into the dull and unappealing world of the material society we live in.

   I suppose that I should give you a bit more understanding of why I call this journey wonderful and amazing. I guess it is a prerequisite for the most profound experience, which I'd like to convey.

   As I've said, I had many Astral Projection experiences. Some of them are clear and profound and some of them are not. Let me begin with the first experience that I had which I can clearly and definitively say was an Astral Projection experience. For those of you who are not familiar with The Silver Cord (which, by the way, is mentioned in the Bible), it is very much like an umbilical cord that connects your spirit to your body. When you "project", your spirit leaves your body, free to travel great distances in space and time. I won't go into detail about that, but as long as the Silver Cord is attached, you are alive in the material realm. When it breaks, you enter eternity, apart from space and time. I've seen my silver cord. In fact, in one projection experience, as I found myself traveling out into space and observed this planet from that high vantage point, I saw my cord, winding it's way back toward earth and I became very frightened that it would break. A great desire to return came over me, which was fulfilled post haste.

   Back to that first discernible experience. I've told this to many people. In fact, until this very effort to write it down, I've never been able to document these stories over the last thirty years. You should know that these experience are so profound that they are as clear to me today as when they first happened. In fact, now I have a broader perspective and can actually see more facts about the events... things that I could not see when they first happened.

   It had been quite some time that I had been engaged in the practice of yoga. Those of you experienced with this will know that as you achieve balance through the application of assorted exercises, you also achieve progression of your awareness, not only of your own body, but of the world around you. I had gotten to the point where I had, what I consider to be, a most excellent balance... and with that came and expansive cognition of things beyond my immediate sphere. I will not go into the details of what that balance is or how to achieve it, but I will say that I also discovered ancient esoteric teachings, which were quite difficult to decipher and which I applied to my methodology. I do believe that these teaching were the key to the results that I achieved.

   I do not recommend to anyone that they attempt to travel this path. I'm not saying that a Spiritual Journey should not be undertaken, because that is the only journey worth taking, but rather, one should pursue spiritual knowledge and the path they are destined to follow based on their inner dictate and not any sensual desire to enter into realms of spirit, which are best left to the proper order of ones destiny. The path I have, very superficially, described to you is one in which the pursuant traveler will expose him or herself to great unknown dangers. It essentially is an opening up of the spiritual sensitivities to the degree where infernal spirits, from the regions of Hell, or those moving toward that destiny, can and will attempt infestation and possession. To one who thinks this is incredulous, there is no fear that they will be possessed, to any greater degree than they already are. For simply stated, the success of any such journey is determined by the degree of purity in both behavior and intent. The World of Spirits is ripe with all the torment and turmoil of the purging that is taking place within those who have arrived there. When one from the Material Realm enters the World of Spirits (even on the fringes) while yet living in this and doing so uninvited, they have done so, as it says in the Bible "through the back door". The consequence of this behavior is severe. Not in any direct punishment, but rather by being exposed to the confusion, distress, torment, malignant intentions, and countless other emotional and behavioral discrepancies through which some spirits must pass as they are purged of their false loves. This may well lead to the aforementioned infestation and or possession. Particularly by those spirits who, for various reasons, desire to return to the Material Realm and can effect that desire (to a degree) through possession.

   The quest for spiritual truth is answered when the questions are put forth in supplication to the Creator, with whom all the answers lie. In orderly progression He certain will convey and lead one toward the greater understanding and knowledge one seeks, especially when that knowledge concerns, not only his or her eternal welfare, but also the greater purpose for which that knowledge is sought. Such knowledge need not and ought not be found thru sensuality.

   One of the most undesirable results of what I had "accomplished" (more like been permitted to see) was that I had opened myself up to such infestation of infernal spirits. It was a battle I fought for years as a result, and one in which I would not wish on anyone. I assure you that I brought this on to myself because I was unaware of the consequences. I am certain that The Lord has permitted it for a very good reason and it is very likely that you are reading it now. At some point I will need to convey those experiences of being assaulted by infernal spirits, but I will leave that for another time. Rather at this time I will convey a few experiences that were significant and the essence of what I wish to make of record.

   The first important projection experience occurred in the evening. I am uncertain of the time, but it was at that time between waking and sleeping, when your body is relaxed enough but your mind is still alert. In the meditation process there comes a time when your body's senses shut down, to the point where you are numb and cannot move, but again, your mind is alert. It is at this time when (what I call) the vibrational energy comes. There are other references to this, but I will not elucidate on this now. I will say that the vibrational energy is like rings of vibrations that come from above and encircle your body, pulsating up and down the length of you body as various rates of frequencies, depending on the depth of your meditation. As the rings pulsate to a certain frequency, your spirit is then separated from your body.

   I found myself floating above my body. At first, I was not sure that what I was experiencing was actually happening, but it was. I took it in and felt the amazingly soothing sensations. Suddenly I heard a chorus of voices calling to me from the left, down toward the direction of my knee. I looked over in that direction and saw only the dark cavernous orifice of my bathroom door. These voices called out to me in no language I could understand. The voices were not male and they were not female, rather they were a blending of both, which now I would define as specters. I was most curious about this and started to be drawn over toward the voices. As I began to move, suddenly the thought came into my mind that the statue of David was carved with David looking to his left because evil spirits assault man from the left and the right hand is protected by God. (I still don't know if that's the case, because I keep forgetting to check, but...) This thought surprised me. Then suddenly the thought came into my head "Say the Lord's Prayer". So I did. The voices started to wail as though they were writhing in pain and they faded into the distant darkness. Suddenly, I was sitting up in my bed, utterly amazed, not knowing what to think.

   The next night the vibrational energy came again and the whole process was repeated. This time, as I floated above my body I felt a presence to my right. There standing in the doorway was the figure of a man glowing white. Immediately my mind went to the events of the night before and I thought to myself "I did not stand up for myself" and so I lunged out at the being of light, who I suddenly realized had come there to help me. Duh!

   I had numerous other experiences of little consequence, which I'm sure were designed (or permitted) to give me some familiarity with what was happening. But there were a few very profound experiences which I am most desirous of conveying. This series of experiences led me to The Church of the New Jerusalem.

   In what I consider to be a waking vision (and not a dream) that took place between the state of sleep and waking, it is most profound and clear to my mind that I found myself walking into a small vestibule. The walls were made of stone and the doorway that I entered into the room was in the right-hand corner behind me. In what appeared to be the left-hand side (it could possibly have been the centre of the room) on the opposite wall was an arched doorway, which had no apparent doors. As I entered the room I turned slightly and said to whoever it was that was guiding me "it's OK, I can do it now" and they left me to proceed. I walked over to the doorway and stood in the opening. Now, as I walked over to the doorway, the only thing I could see was white light pouring out from whatever was on the other side. When I stood in the doorway, I was bathed in this white light and I knew with absolute certainty that on the other side of that doorway was the spiritual world. I could see nothing at the time. Now I have a vision of what I saw. But as I stood there I longed to step forward to see what was there. At the same time I was frightened to do so because I believed, bordering on knowing, that if I did so, there was a likelihood that I would not come back. I was caught in a dilemma. The world that I had just come from was incredibly dark, dirty and very undesirable compared to the nothingness I was gazing into. But that nothingness was so much more than where I had come from and so much more desirable than anything I had ever experienced. Somehow however, I knew I had a mission to fulfill back here and that I could not leave this planet without doing so. This mission was called "I am Alpha & Omega" the screenplay that I wrote in California. What my views are now about that mission, I cannot say, but at the time it put me in a real dilemma. I wanted to step forward, but I was afraid I would not come back to fulfill my mission. When I attempted to step backward, it was so unappealing to me that I could not bring myself to do it. When I attempted to step forward, my mission had to be fulfilled... and so on and so on. I stood there trapped in indecision in that doorway, for what seemed like a very long time. Suddenly, the walls of the doorway, (which were about three feet thick) started to close in on me. Still I could not make a decision. Until finally the walls squeezed me out like a glue between two boards. I found myself sitting up in my room, baffled. I would say that ten years, probably twelve if numerology is playing a role, after this experience, I suddenly realized that the golden figure of a man stood in front of me as I stood in that doorway. No one will be able to convince me that it wasn't the Lord or one of His angels representing Him. Maybe He was preventing me from moving forward or maybe He was waiting for me to make a decision. I guess I'll find out when I get there.

   This experience happened before the Kundalini expansion at the intersection, when I decided to discontinue my studies, fearing any injury I might inflict upon an innocent vitum of an accident. But as the years passed I became very depressed about the state of the world and how dark it was compared to what I had been experiencing. Soon, I became overwhelmed with the desire to go back there and I embarked on another endeavor to bring about these experiences. So I entered into meditation once again, only this time I knew what my goal was and I was working toward that end. Not cool.

   I, in fact, managed to bring on the vibrational energy again. Now I need to explain something here. One of the factors that I discovered about this is that no metal can be on (and probably too near) your body during the mediation process. Metal interferes with the magnetic impulses which have to be properly aligned. (I don't want to teach anybody how to do this, so I won't say more) I will say this: I found that the fillings in my teeth cause a great deal of problems with this. Everytime the vibrational energy came I felt as though my teeth were going to expload. Since, I could not do anything about that, short of having my fillings taken out (which I almost did), I more or less tried to hack through it.

   When the vibrational energy came again, once again I had the pain in my teeth. Suddenly I achieved the goal I thought I desired, only I was wrong. Instead of the very positive experience I was seeking, I found myself in a void. Complete separation from life, from light, from anything except complete and utter darkness and emptiness, absolute nothingness. It was the most terrifying experience I have ever had and I completely panicked, thinking that I had condemned my soul for all of eternity to this fate. I was in a blind panic not knowing what to do. Suddenly, the thought came into my head "Say the Lord's Prayer". I did not need any further prompting to do so and I found myself back in my bed, praising the Lord for saving me. I swore I would never mess with that again. A peace came over me and I fell asleep.

   The next night, the vibrational energy came again. This time I did nothing to bring it on and more importantly, my teeth felt no pain, something that had never happened before. I said to the Lord that I did nothing to bring this on and that it felt so perfect that I had to go with it. Suddenly I heard choirs of angels sing praises to God. It was so beautiful that tears were running down my face as I felt a hand take me by the right elbow. Then I felt another hand on my left elbow and suddenly I felt myself being lifted up. I could feel the wind blowing in my hair as the choirs sang in most wonderful adoration of God. After a moment, my sight was suddenly opened as if a shroud were peeled away from my eyes. I looked up and saw a resplendent blue sky with silvery white clouds and I was in ecstasy as suddenly a towering cathedral appeared from the periphery of my right side. As the towering cathedral appeared before my eyes I started to become very afraid and cried out "put me back, put me back". My request was granted immediately, much to my current regret.

   Needless to say I was stunned. I walked around in a haze for about two weeks trying to assimilate what had just happened to me. I was driving a truck again when I found myself sitting at the intersection of Second Street Pike and Cathedral Road in Bryn Athyn. It was very different then, much more hidden from view and uninviting. Today the Cathedral is opened for tours and very inviting to new visitors and people who wish to worship there. As I sat at the interscection I glanced over and saw the Cathedral. I was stunned at what I saw and immediately turned into the parking lot. There in front of me was the Cathedral in my heavenly vision. I didn't know what to think. At the time, I didn't even know it was a church. I don't know how you can look at a building like that and not know it was a church, but I thought is was some kind of museum. I got out and walked up to the building; unable to take my eyes off the tower. As I looked closer I began to decipher the carving at the top of the tower. " He is the Alpha & the Omega, the Beginning and the End, Who is and Who Was and Who is to come, the Almighty".

   To say I was floored would be putting it mildly. Here I had been working on a screen play titled I am Alpha & Omega and here it stood right in front of me, I had to check this out. I came back on Sunday only to find all the doors locked. What kind of church is this? I checked every door and found only one unlocked. The service was in progress and the door I found was right next to the stair that led into the basement. What better place to start than the basement? So I crept down into the basement and followed the sound of the service that was in progress. I found a spiral staircase that seemed like the sound was loudest at and positioned myself on the stairs. I struggled to hear was was going on when suddenly the door opened and someone in a robe came down the stairs. I jumped up but he said "that's OK, that's OK" and he disappeared around the corner. Well as it turned out he was Bishop King, Who ended up marrying my wife and me. Go figure.

   So, That's how I came to The General Church of The New Jerusalem or New Church as it is called.

   When I found the New Church and began studying it's teachings, I gave my entire, large collection of religious and esoteric books away. I felt I no longer needed to search for what I had finally found. I discovered the New Church in 1977, three years after the Lord set me on the path to discovery and I joined the Church four years after that, a well balanced seven years after He pointed the way. My steps have been guided by Him ever since, with significant events occurring at disctinct intervals and I am completely confident that He will always be with me for all of eternity.

   My wife now lives in Heaven with the Lord and I know she is happier than she ever was in this life because she is with me often and tells me so.

   Unfortunately for me I still have to complete my mission. I'd better get busy, "cause I want out of here ASAP". AG

p.s. In the hope that anything I may say would be of assistance, I may convey other related experiences, because I continue to have the most profound spiritual experiences, which seem so normal to me, yet unfortunately, so alien to others. The date of this posting is correspondential. AG

IMS; Board of Directors

    

    I am starting to think more seriously about transferring the ownership of Image of the Mind Studios to other people. I turn 70 this year and concerns over my longevity have me thinking about this. The extent of my equipment, facilities and intellectual property is such that I need to find an exit strategy that does not include liquidation. I'm looking at the possibility of adding a manufacturing facility and a print shop to the assets and that would round off the capabilities of the studio. But, there needs to be a different management structure. That structure is - a Board of Directors, with a lease/purchase mandate. If anyone wants to discuss this, contact me. 

Also, there are management objectives for the Film/Theatre activities that should likewise be dictated by the same management structure.in order to grow beyond it's current limits. I've said this before, but I reiterate. AG

Nunc Licet

"Nunc Licet"

a stage play

introducing 

the thoughts

of

Emanuel Swedenborg 

   I wrote this play about forty years ago. It started out as the third Act of my Magnum Opus; "I Am Alpha & Omega". After hearing that Act III should become a separate play, I spent 25 years writing and rewriting "Nunc Licet" into it's one form as a stage drama.

  It has become my intention to produce "Nun Licet" in my studio, on the sound stage I am building. I have upgraded my video equipment, so that we can do a three-camera shoot and produce a promotional video of the play. I expect to shoot it as "Theatre on Film", if for no other reason, than to record a performance for posterity and use it as a way to promote/perfect the piece. Doing this is the next step in a long process.

    It has been workshopped four times, one of which took place up in the Hollywood Hills and it had one publicly produced (abbreviated) reading. It has been my intention to perform this in its entirety "as written". This means; no edits or comments from the peanut gallery. The reason for this is; that although I expect some rewrites (again), I want any rewrites to come out of the production process, not from academic opinions. Been there, done that.

   Here is the "Nunc Licet Archive" where you will find discussions on the project, along with a full copy of the script.

   Again, I emphasize that this play started out as Act Three of "I am Alpha and Omega". Act Three will now become an opera based on the Apocalypse. Unfortunately, all my notes on this, along with the lyrics I wrote seem to have been misplaced. My notes were in a volume of Swedenborg's Apocalypse Revealed and I think I left the book at a production I was performing in, so I need to reconstitute those notes. The lyrics were in a notebook on my shelf, but for some reason I cannot seem to find that notebook. So I need to redress the foundation of that opera.

   Recent conversation are directing me back to rewriting "I Am Alpha & Omega", so it expect to be bringing that blog to the forefront as the rewrites progress.

   So, I am working toward setting up a sound stage stage in my studio, with. Green screen. There are facility issues to be resolved before I can move forward with that in a meaningful way. I have updated my film/video equipment with reasonable HDV capabilities and I have upgraded (although not set-up) my nonlinear editing systems. This means that the equipment to create a film/video production of "Nunc Licet" will be able to take place in-house. My objective is to work out the acting/blocking end of things (again) on a reasonably sized stage (24x19) that approximates a size that most theatres can accommodate. 

  I'm not thinking right now about where it will go, I have considered Off-Broadway, but for now we will shoot for working it out on-camera and strive to mount it at The Mitchell Performing Arts Centre in Bryn Athyn, with the intent of moving it around the Philadelphia area and consider heading to Boston or Toronto.

   This means that I am beginning to invite producers to join the team. We will need a number of producers, each of whom will taken on a different role (ie: workshop, first public performance, touring, television, etc). Obviously there will be a capital campaign to fund the operation and all the producers are expected to contribute to making that happen. Board Meetings will take place at IMS in Southampton and via Zoom if necessary when needed. My focus of attention will be on preparing the studio facilities and resources to do this. I will be Directing the show.

  So, communicate with me if you want to join the team. I'm only just beginning  to get serious about mounting this. I will be posting here and on the "Nunc Licet" blog. I will update these posting as necessary, as time allows.

AG

Nunc Licet

Check the "Nunc Licet Archive" for posts on the subject and a link to the stage script.

I just began setting up a screenplay in Final Draft, so little by little I'd like to adapt the play for film (if I can find the time).

The concept for an Environmental Theatre Presentation is manifesting and if that comes about, the location is, in fact, the perfect setting for the film version.

We'll see what happens. But first I plan on filming the next workshop in my studio on the sound stage I am building. I will be using HDV.

AG

Sound Stage with Green Screen

A shot of the State Theatre in Easton PA.
I'm impressed with the care they take of the theatre.

I took this when I attended a most excellent concert presented by Justin Hayward, one of the driving forces of The Moody Blues and the composer of many of my favorite songs.

So...  as I've mentioned before, I intend on building a Sound Stage in the Studio. The layout calls for a stage that can flex up to 30 feet wide and 20 feet deep.  I expect to keep it around 20 feet on the proscenium and 16 feet deep. Wider than that takes away from the wing and upstage areas. 

The stage is not intended for public exhibition, although test audiences may come into play, if I put in a peanut gallery. I have about 80 Deco Theatre seats left from a larger batch that sustained water damage. If I finish the dozens of other projects in line, we may end up restoring those seats and using them for audience seating in the studio. The big issues there are Fire Regulations, in particular a Sprinkler System, improved HVAC, and other things as well, if I open the doors to the public. If we get to the point where we pass the Zoning regulations we might be able to produce other programs, such as a talk show or rent the stage/scene shop out. But that's not really my intention.

A Sound Stage is pretty much just intended for Developmental Theatre, Studio Film work, for animation, puppetry, stop action, motion control & model work, but also other Green Screen work.

I just acquired some more lighting dimmers, old analog stuff and some more 6x9 Lekos, really an expansion of equipment I have had for years. But that has stirred me up to look into LED lighting. Many years ago, I was going to set up a sound stage (actually in the same space, when I used to rent this portion of the building).

I'll come back to this post later

AG

UPDATE 1/5/24;

   Well I am actively exploring the equipment required for lighting the stage while avoiding interference from lighting instruments, in terms of the video camera. I think this will be essential. I do have two analogue systems for conventional lighting, which I suppose would be used for rehearsals that are not video-taped or recorded. It's rather a question of lamp hours, as to whether or not to maintain multiple systems. I imagine I will have analogue for simple non-performance work, DMX for that level of operation (since many houses maintain that capability, and then PWM for the instrument that service A/V. I think that is going to be required, if the facility is to be comprehensive. I've been discussing this on a lighting forum and from the overall advice I've been getting, this seems to be the approach. I need to do more research on the current technologies, the applications and the cost. I'll post more updates here as I learn more about what we need to do.  AG 🎭

The Bryn Athyn Orchestra

 Now that I am member of the Board of Directors

for

The Bryn Athyn Orchestra

I am also in charge of GFX for publicity.

So here is our latest flyer & Give-Away Card;

Although we had difficulties with ticketing for the Fall Concert, 

due to changing procedures with the theatre

those problems have been corrected

We have not yet determined what the Raffle will be for the Winter Concert.

 

Last Fall's Concert;

We will be having a Raffle and I'm working on having 

Diner for Two 

be part of that Raffle.

The Heading will take you to the Orchestra web page.

AG

Purchase of Image of the Mind Studios

 We all must face reality
and the reality of the situation is that at some point I must either 
liquidate or sell
Image of the Mind Studios

I do have a business plan, which expands the operation 

beyond the degree that I care to contend with.

The foundations are in place for a much more substantial operation

than I am currently engaged in.

That being said, I anticipate that I will need to begin

working in that direction.

I have developed (or am developing) a 

Business Plan

that takes into account a much larger 

corporate operation

with numerous divisions.

This is plan is quite viable, given the financing and staffing with competent personnel.

But this is a plan that will not be put into place by me.

It is a plan that required the proper Board of Directors

in fact multiple Board of Directors,

because the three primary Divisions must be operated as separate entities.

It also calls for other Business Operations beyond the three Primary Divisions. 

These are all linked together to create a cohesive whole.

I discuss some of this in the blog IMS Management

and on The Gnomes of New Hope Blog

Here is a posting regarding

The Elder Gnomes Joint Venture

which discusses some of this.

June 19th Dragon Puppet

Here's a shot of the 

Micro-Fogger

 in action.

I like it. 

This was my last hurrah 

with being 

The Dragon Master.

My efforts are now turned to 

The Gnomes of New Hope

In this regard.

ARCHIVE:

It's time to work on the Dragon again

 This year I am installing 

a Mirco-Fogger into 

the centre head.

This will allow the Dragon

 to breathe smoke 

from his nostrils.

Last year the Dragon was clear-coated to protect the paper-mache from rain.

But doing so also made the colors pop in the sunshine.

I will post more photos as I can.  I do expect to create a page on the Dragon,

since I also have a video documenting the re-construction of the tail

and I will be handing the reins of Dragon Master over to someone else. 

This will be my last year performing as John in the June 19th Pageant.

(as I am officially retiring next year at the age of 70)

The Bryn Athyn Church 

puts on a Pageant that depicts events 

described in the Book of Revelations

(which we refer to as The Apocalypse)

The event takes place on the East Lawn of

The Bryn Athyn Cathedral

on June 19th at 7:30 pm

(weather permitting)

In the Event of rain the Pageant takes place inside the Cathedral.

A Painting of the Archangel Micheal 
doing battle with 
The Seven-headed Dragon 
by
Jared Buss
currently serving
The New Church
in the
Pittsburgh Society

Office Management

    I have been engaged in setting up an assortment of workstations for the numerous operations going on within the current 10k sq ft studio space. I make mention of some of those operations throughout the assorted blogs associated with IMS.

   As is to be expected at this time of year, my mind has turned toward accounting and the Management Office. I have, for many years, experimented with an array of accounting methods and processes, none of which have really been properly effective, thus creating a mire of ineffective garble. So it is the I have turned my attention to the facilities, equipment, resources, systems and personnel required to correct this problem.  

   That being said, I am looking to locate personnel that can work on that aspect of the operation. This something that will take time to restructure and it is also something that I want to build upon, not something that I want to dive into, until it is clear that the working relationship are copasetic.  That being said, I continue to look for a CFO to supervise those matters. I welcome inquiries from those wanting to work out of our physical facilities in Southampton, Pennsylvania.  AG

A New Look for the Book

Printer's Layout, On-Demand Limited Edition Books

There were numerous unseen anomalies and corrections to be made. 

The end result was a shift in the overall look of the pages.

I opted to lessening the amount of ink on the page

by reducing the opacity of the outer page.

I like it better.

BOOK ONE will go to the printer today for a Limited Quantity as I start to build inventory.

If all goes well, BOOK TWO will follow shortly.

UPDATE: 3/23

   This post was a draft, an outdated draft because circumstances changed, but here's the skinny... The On-demand books will begin with jobbing out the printing for the limited quantities required to build inventory. Once the inventory is up to speed, I'm very much looking at putting a printing press in the studio. Beyond publishing the seven book series, there is the music score, which in itself, is larger than the Illustrated Storybook and the Libretto combined. It rather depends on the demand and how the licensing turns out.   I am set on the design and implementation of the Hand-stitched Books, but the reality is that those books must remain Limited Editions, simply because of the time factor of making those books cannot meet any large quantity orders. If another publisher steps up to license the Perfect-bind books, then production and distribution of the Unlimited Editions will be out of my hands. This is probably the most advantageous situation, since I need to focus on theatre activities and not get tangled up in book production and distribution.

Check;

www.thegnomesofnewhope.blogspot.com

Sound Stage & Studio

Here's a truck I'm either going to sell or rebuild into a Cabover.

image.of.thge.mind.studios@gmail.com

    I started to plan out the construction of a Sound Studio, when I realized that the stage I am installing should serve as a sound-stage. If it becomes necessary to have a sound proof room, we can add that later. I like the idea of a sound studio, but one critical aspect of that is the overhead issue. If I can succeed at garnering the funds to support overhead on the studio for a twenty-year period, which is my goal, then installing a sound studio would be more practical. It simply is not advisable to invest the money in facilities that may come under threat in terms of operating funds. My interest is to build the facilities within an environment that is completely secure for the long term. I do not want to have to seek clients to use the facility, I would rather have the facility available for in-house operations exclusively. That's not to say that outside client might not want to use the facility, but such application and use of  the facilities cannot depend upon it. To put it simply, external application must be gravy for the operation.

"Swedenborg Designing a Flying Machine"

used by permission of 
The Swedenborg Library in Bryn Athyn, Pennsylvania 
for the cover of
"Nunc Licet"

   So, I am redirecting my energy toward building the stage and installing a 50+ seat peanut gallery. I have 80 Art Deco Theatre seats left from the 120 that I had, the reduction being a result of water damage and an urgent forced move, whereby I needed to rescue what I could from the larger quantity. Those seat need to be restored and reupholstered. Well, it seems appropriate to  set up to do the seat restoration and to install the tiered platforms required for the peanut gallery. I have the borders and legs, the lighting and sound equipment, the wiring, cables, battens and chains, so I will be moving to setup and install that equipment. I also have the drops, for both backdrops and green screen. It's only a matter of cleaning out the stuff that occupies the space. That shouldn't be too hard.

   Part of that is also rearranging some of what is already set up. I am installing a paint booth in one bay and setting that up for both spraying the automotive work I need to do and the painting that comes into play for set construction, furniture refinishing and fabricating, which occurs from time to time. 

   All of this points to the fact that all production activity is centered around in-house studio production as opposed to location or remote work. This is something that must be understood when engaging with Image of the Mind Studios. All activities are taking place in Southampton, Pennsylvania. My days of traveling around freelancing are over. I just want to be clear about that. AG

Studio Update 12/31/22

I am rebuilding two 1961 Corvair Trucks as my work vehicles, one Rampside, for light hauling          and one Corvan, for deliveries and moving equipment

In addition to converting my 1962 International Loadstar CO1600 into a mobile workshop.

2023 Arrives

The end of another year.  Well, things just keep plodding along. As you may have seen on The Gnomes of New Hope blog I keep working toward finishing the Illustrated Storybook. That remains the priority because after working for nearly twenty five years to initiate this project, it simply has got to be finished.

 Many things need to be done in the studio, for set up and operation, but everything must take a back seat to the publishing endeavor.m I continue to work on setting the work areas up and securing additional supplies and equipment, which will be needed to fulfill the vision of projects that are in process, but as I said, I cannot get distracted from completing the publishing endeavor and putting the Seven Book Collection into production and distribution.

There are significant advances lingering at th edge of activity with the studio. Some possible business dealing are way larger than I want them to be, given that I am nearing 70 years old, but It seems that I must take on the challenge of establishing the studio as a larger operation that will "have legs".

I have always kept activities at low key, mainly because I was focusing on development and not so much production. I had my day in production, with over 350 productions under my belt. I know full well the foibles of finding and keeping a crew together, not to mention to outlay of production expenses that occur on a continuing basis.

So, the Illustrated Storybooks are designed to build an audience and create cash flow to maintain the studio. The great expanse of production possibilities will all take place after the studio is fully funded as to it basic operating expenses. It is already funded for the low key level of operations, but that is not what I am seeking. I am seeking to refine it's facilities and equipment, cover the overhead for the long term and initiate new activity on old projects that were pushed aside for the sake of the Gnomes. Therefore The Gnomes must provide that funding, in addition to it's own production funding for other ancillary markets. I go into detail on that on IMS Management (although not fully, because that is reserved for IMS Producing Partners).

Those additional blog sites (and others) are not fully developed as to their intended purpose, but work proceeds in that regard. For now, the publishing layout takes precedence.

Once the Illustrated Storybook layout (REV 450) is published and a specific quantity inventoried, I expect I will be taking a break and spending time rebuilding my vehicle, of which I have number requiring attention. So my goal upon publishing will be to find someone to oversee in-house production, marketing and distribution. Interested parties are welcome to discuss that with me. There are any number of ways to communicate with me, which I have provided before. But image.of.the.mind.studios@gmail.com is overwhelmed with solicitations and other "mail" that is jamming things up. So you might choose another method of conveying your thoughts, or make it very clear in the subject line wht you are seeking. I am uncertain how much gets lost in the fray at this point.

I'll add more later. Happy New Year. 🥂 AG

Design Concepts;

I have had these ideas, for Desalinization & Air Filtration, in my head some time.

So, I decided to just sketch them and post the drawings. Obviously they are very rough, but they convey the general idea.

I have to wonder, with all this talk of going solar, why these concepts have not been developed further. Here we have whole systems built in sucking water out of the Colorado, when we have a whole ocean of water, yet California does not develop that resource for themselves and others. I won't go into the stupidity and selfishness involved in the political behavior, but I mention it in the context of that energy, which is destructive and wasteful, not being applied to innovation.

These sketches call for ocean water being transported, via pipeline, to the deserts, where the use of solar power can be applied to powering the pumps, and the evaporators that are in the system and use the force of nature to desalinate the salt water and to purify the air.

An added concept, not present in the drawings, would be a return pipeline, that would flush the hyper-salinated residue back into the ocean. 

There are many applications to each stage of this process. I suppose I may expand upon these ideas. But I'm posting these sketches in case I never get around to it.

The air filtration concept came to me back in the eighties when I was drowning in California air pollution.