It a tough situation, but I don't want a space that has to be active to survive. I want it for development purposes, not for a full schedule. I really don't want to manage an active theatre schedule at this point. I am too involved in Design, Development and Production of New material to be distracted by theatre management. Although, we could add that at some point under a General Manager, other than myself.
I don't mind a space that needs some restoration, but not to decrepit, as to be unusable without a complete overhaul. It cannot have any environmental or tax issues. The foundation, roof and services must be sound and not in need of major repairs or replacement to be functional. Upgrading will be necessary, but I want equipment that is functional. I need a functional fly space and if it is hemp, I don't want rotted ropes.
A historically significant space, worthy of restoration, but currently dark, could work, so long as the stage and shop space are fuctional, or could be made so without too much work. However, it cannot be under any Historical Commission regulations or interference, either local, state, or federal.
The space needs to be in conformity, in terms of size, and equipment with industry standards and it must not be under union contracts. It must be able to operate and support both union and non-union activity. I get that it any dark space available will likely need equipment upgrades to bring it up to spec, but I would prefer a functional booth that is wired to the stage that has sound wiring for dimmer banks. I need a full compliment of battens and side pipes that are functional and preferably has electrics. Newer system have dimmers in the instruments, so that situation is changing anyway, still a booth that is wired to the stage is rather essential, at least for presentation. For development we can run that from the house and set that up.
I could see it becoming a Road House eventually, or supporting some touring, or rental activity as a secondary purpose. The main activity being development of New Works. A theatre that is in reasonable proximity to educational institutions is probably best, as we could then engage in apprenticeship programs and support learning opportunities in theatre.
I have gotten to the point where studio activity would be better served by securing such a space and continuing on in that environment. The existing space is no longer serving my needs and setting up again seems enivitable. So the best approach is to set up in a location that has a functional theatre as a main part of the scenario, or at least a shop space connected to a theatre that can be developed and utilized to some degree.
I have multiple shows which are under development and it would be best to continue bringing them closer to presentation in a space where all we need to do is open the doors for the audience, while at the same time managing the affairs to continue on beyond my lifetime, which now will conclude in twenty years or less. I would prefer to take my resources and set them up in a space where they can be most useful for future generations.
So, with all this being said, I invite commentary and participation in this process. I am open to hear about any theatre space that will meet the criteria I have described.
In part, this endeavor depends on the success of publishing and distributing the Illustrated Storybooks of
and it is part of developing the stage show that these Storybooks are based on.
Send me an email or dialogue using Messenger.
AG 🎭🎬🎨🎶🇺🇲
